I have absolutely heard someone say something in real life, quietly tucked it away in my brain, and later watched it reappear in a story wearing a fake mustache and a different name. And I actually tell people when I’m stealing their phrases for book content, so I wouldn’t say it counts as stealing. In fact, most think it’s the coolest thing ever. That’s why they get a dedication.
I suspect most writers have done the same.
There’s a persistent fantasy that creativity emerges from some sacred, untouched place deep within us. We like to imagine artists sitting alone in beautiful rooms, producing entirely original thoughts that have never existed before. It’s a lovely image. It’s also complete nonsense.
Well no, we collect things.
A strange conversation overheard in a coffee shop. A text message that hurt our feelings. A joke our friend made three years ago. A line from a movie. A family story. An awkward date. A teacher’s comment. A sentence someone said once that lodged itself in our chest and refused to leave. We gather these fragments constantly, often without realizing it.
The funny thing is that by the time an idea reaches the page, it rarely resembles how it started. An argument becomes a chapter. A passing observation becomes the emotional center of an entire novel. The source gets tangled up with dozens of other influences until it becomes something new. That’s why I’ve never been convinced by the idea of artistic purity.
I’ve met artists who spend a lot of time worrying about whether their ideas are truly original, but originality is a strange thing. Every story you’ve ever loved was built from pieces that existed before. Every writer is influenced by other writers. Every artist is influenced by other artists. We learn by absorbing, remixing, transforming, and responding. The goal isn’t to create something original. Every thought has been thought. The goal should be to create something that sounds like you.
When people read a novel, they’re not reading a collection of isolated ideas that appeared out of nowhere. They’re reading a lifetime of experiences filtered through one’s perspective. They’re reading every conversation you’ve had, every book you’ve loved, every mistake you’ve made, every obsession you’ve developed, and every heartbreak you’ve survived.
Some of my favorite lines have roots I can still trace. I know exactly which friend inspired a certain joke. I know which family story evolved into a scene. I know which real-life conversation accidentally became the foundation for an entire plot. Sometimes I laugh when I notice it. Sometimes it’s a little sentimental.
The writers who seem endlessly creative are often just paying closer attention than everyone else. They’re listening. Watching. Collecting. Noticing the odd details people overlook. They’re treating ordinary life like research, even when they don’t mean to.
So maybe the line wasn’t mine originally. Maybe the feeling wasn’t either. Maybe someone else handed me the raw material years ago. But the story I built from it is entirely mine. The meaning I found in it is mine. The way it connected with everything else I’ve experienced is mine.
— Montse

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