{"id":616,"date":"2025-12-31T13:57:00","date_gmt":"2025-12-31T19:57:00","guid":{"rendered":"https:\/\/mbnovels.com\/?p=616"},"modified":"2026-01-27T15:06:20","modified_gmt":"2026-01-27T21:06:20","slug":"unusual-eulogies-2025","status":"publish","type":"post","link":"https:\/\/mbnovels.com\/en\/2025\/12\/31\/unusual-eulogies-2025\/","title":{"rendered":"Unusual Eulogies | 2025"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Unusual Eulogies is a curated record of my reading life. These entries collect brief reflections on the books that have accompanied me at different moments \u2014 classics, contemporary fiction, unexpected finds, and the ones everyone was talking about.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">These entries capture a unique period of my reading life: a deep, structured dive into&nbsp;the mechanics of meaning. Alongside novels and memoirs, I spent a significant amount of time with academic texts \u2014 deconstructing narrative theory, hermeneutics, and the structure of stories. This shelf is a focused exploration of the craft and philosophy behind the stories we tell. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I read with a dual heart: as a pure reader getting lost in a story, and as a writer marveling at voice, structure, and the lingering questions a great book leaves behind. Think of this not as a review site, but as a conversation about the stories that stick with us. It\u2019s a reference for anyone curious about what\u2019s on my shelf and, perhaps, a source for your next great read.<\/p>\n\n\n<div class=\"wp-block-post-time-to-read has-small-font-size\">4\u20136 minutes<\/div>\n\n\n<div style=\"height:29px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">The Happy Hotline<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Joseph &#8220;Joe&#8221; Kuttler<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">A raw, compelling, and messily human novel that leans unflinchingly into cringe and heavy themes. The second half builds with undeniable energy, pulling the reader into its chaotic, heartfelt conclusion. Its unvarnished voice and commitment to its own unique rhythm are definitely its greatest strengths.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Mrs. Dalloway<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Virginia Woolf<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">A friend warned me this was long, descriptive, and plotless \u2014 and she wasn\u2019t wrong. Still, I trust Woolf completely, so I gave it a shot. It\u2019s a masterful, stream-of-consciousness immersion into a single day in London, exploring the vast interior worlds of its characters. Woolf\u2019s prose is breathtaking (per usual) in its precision and depth, capturing the weight of memory, regret, and quiet connection.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Al final todo es amor<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Tere Salazar<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">My aunt (my mom\u2019s cousin, I think?) self-published this book, and I\u2019m so glad she did. This is a heartfelt, intimately crafted novel that weaves together three perspectives on love, loss, and connection. The structure is inventive, pulling the reader into separate lives that ultimately converge in a moving and satisfying resolution.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">In the Dream House<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Carmen Maria Machado<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Holy shit. Machado\u2019s mind is a marvel. The structure of this memoir is unlike anything I\u2019ve ever read \u2014 it\u2019s raw, powerful, and so visceral you feel her thoughts bleeding through the pages. A breathtaking, genre-defying memoir that uses innovative structure to dissect memory, trauma, and a toxic relationship. An absolute landmark work of art and narrative form.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">The Stranger<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Albert Camus<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">The seminal, philosophically dense novel of existentialism and absurdism. Camus presents a detached, haunting portrait of a man confronting the meaninglessness of society and existence. Such a challenging text that continues to provoke and unsettle.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">I&#8217;m Glad My Mom Died<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Jennette McCurdy<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Wow. McCurdy\u2019s voice is raw, darkly funny, and profoundly impactful as she recounts her childhood stardom and complex trauma. I got completely lost in her story \u2014 no editing brain, just feeling. This is a stunning, brutally honest, and powerfully written memoir, and I haven\u2019t stopped recommending it to everyone I know. Will definitely be the first to read her future works!<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Cien a\u00f1os de soledad<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Gabriel Garc\u00eda M\u00e1rquez<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">A beautifully written fever dream and foundational masterpiece of magical realism. M\u00e1rquez paints the epic, dreamlike rise and fall of the Buend\u00eda family with lush, hypnotic prose. It gets confusing at times \u2014 highly recommend keeping a family tree handy \u2014 but the ending is perfect. A friend told me to imagine all the characters as versions of the same person, and it helped!<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">The Odyssey (Spanish Edition)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Homero<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\"><em>The<\/em> epic of Western literature, chronicling Odysseus&#8217;s long, mythic journey home. Its tales of monsters, gods, and endurance have shaped storytelling for millennia. A foundational text whose archetypal adventures continue to echo through modern narratives.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">The Suppliants (Spanish Edition)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Aeschylus<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">A powerful, early Greek tragedy. It boldly explores themes of female agency, divine law, and political refuge, showcasing the foundational tensions of drama and moral conflict. For an in-depth analysis (in Spanish), read <a href=\"https:\/\/mbnovels.com\/2025\/11\/11\/la-ley-divina-vs-la-ley-humana-justicia-y-resistencia-femenina-en-las-suplicantes-de-esquilo\/\" data-type=\"post\" data-id=\"1490\">here<\/a>.<\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-dots\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">\u00d3ptica sangu\u00ednea<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Daniela Boj\u00f3rquez V\u00e9rtiz<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Absolutely blown away. It&#8217;s a world that feels both intimate and unsettling. Boj\u00f3rquez V\u00e9rtiz builds a world that is both intimately raw and expansively unsettling, with imagery that cuts to the bone. A book that genuinely rewires your sense of what language and story can achieve.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><em>The Academic Shelf<\/em><\/h3>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">For fellow writers, literature students, or the incurably curious, these are the foundational pieces that lived on my reference shelf this year.<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Filosof\u00eda y literatura<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Alessandro Baricco<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Clase 2: Teor\u00eda y teor\u00edas (p. 53-70)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Josefina Ludmer<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">\u00bfDe qu\u00e9 hablamos cuando hablamos de literatura? (p. 13-32)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Susana Reisz<\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Principios del an\u00e1lisis del texto literario (p. 11-35)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Cesare Segre<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Tema del autor y del h\u00e9roe<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Jorge Luis Borges<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Historia y discurso (p. 15-44)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Seymour Chatman<\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Lector in fabula (p. 73-95)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Umberto Eco<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Discurso del relato (p. 81-171)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">G\u00e9rard Genette<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Gram\u00e1tica para estudiantes<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Xavier Fages Gironella<\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Introducci\u00f3n al an\u00e1lisis estructural de los relatos<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Roland Barthes<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">La noche boca arriba<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Julio Cortazar<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Del texto al g\u00e9nero. Notas sobre la problem\u00e1tica gen\u00e9rica (p. 155-182)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Jean-Marie Schaeffer<\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">From Validity in Interpretation (p. 14-33)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">E.D. Hirsch<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Literary History as a Challenge to Literary Theory (p. 7-37)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Hans-Robert Jauss<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Hacia el an\u00e1lisis autom\u00e1tico del discurso (p. 44-54)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Michel P\u00eacheux<\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Visi\u00f3n Panor\u00e1mica de los estudios sobre narraci\u00f3n (p. 95-119)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">C.R. Trigos<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Hermeneutics<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Will Mason &amp; Tim May<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Understanding Hermeneutics (cap. 5 &amp; 6)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Lawrence Kennedy Schmidt<\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">El discurso como interacci\u00f3n social (p. 19-66)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Teun van Dijk<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">El problema del contenido, el material y la forma en la creaci\u00f3n literaria<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Mijail Bajt\u00edn<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">\u00c9pica y novela (p. 13-76 &amp; 449-487)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Mijail Bajt\u00edn<\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Las suplicantes<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Esquilo<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">El problema de los g\u00e9neros discursivos (p. 248-293)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Mijail Bajt\u00edn<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Las cronotop\u00edas literarias en la concepci\u00f3n bajtiniana (p. 119-141)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Olga Pampa Ar\u00e1n<\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Cap\u00edtulo 4: Introducci\u00f3n a la pragm\u00e1tica<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Victoria Escandell<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Escribir la imagen (p. 17-38)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Bego\u00f1a Alberdi Soto<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">Teor\u00eda de la imagen: Ensayos sobre representaci\u00f3n verbal y visual (p. 9-39)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">W.J.T. Mitchen<\/h5>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">\u00d3ptica sangu\u00ednea<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Daniela Boj\u00f3rquez V\u00e9rtiz<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">\u2018El giro afectivo\u2019. Emociones, subjetividad, pol\u00edtica (p. 245-254)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Leonor Arfuch<\/h5>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h4 class=\"wp-block-heading has-text-align-center\">La pol\u00edtica cultural de las emociones (p. 19-46)<\/h4>\n\n\n\n<h5 class=\"wp-block-heading has-text-align-center\">Sarah Ahmed<\/h5>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>These entries capture a unique period of my reading life: a deep, structured dive into\u00a0the mechanics of meaning. Alongside novels and memoirs, I spent a significant amount of time with academic texts \u2014 deconstructing narrative theory, hermeneutics, and the structure of stories. This shelf is a focused exploration of the craft and philosophy behind the stories we tell. <\/p>\n","protected":false},"author":134972872,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_wpcom_ai_launchpad_first_post":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[774386446],"tags":[7215,3328,7758714,178,1747,349],"class_list":["post-616","post","type-post","status-publish","format-standard","hentry","category-unusual-eulogies","tag-book-review","tag-book-reviews","tag-bookish-thoughts","tag-books","tag-fiction","tag-writing"],"jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pfZGWd-9W","jetpack-related-posts":[{"id":312,"url":"https:\/\/mbnovels.com\/en\/2022\/12\/31\/unusual-eulogies-2022\/","url_meta":{"origin":616,"position":0},"title":"Unusual Eulogies | 2022","author":"Montse \"M.B\" Benavides","date":"December 31, 2022","format":false,"excerpt":"2022 was a year of\u00a0literary deconstruction and raw voice. I found myself drawn to stories that peeled back the layers of storytelling itself \u2014 examining classic structures, dissecting narrative power, and marveling at bold, unconventional voices. It was a year spent equally in the workshop and the gallery, appreciating both\u2026","rel":"","context":"In &quot;Unusual Eulogies&quot;","block_context":{"text":"Unusual Eulogies","link":"https:\/\/mbnovels.com\/en\/category\/unusual-eulogies\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":292,"url":"https:\/\/mbnovels.com\/en\/2021\/12\/31\/unusual-eulogies-2021\/","url_meta":{"origin":616,"position":1},"title":"Unusual Eulogies | 2021","author":"Montse \"M.B\" Benavides","date":"December 31, 2021","format":false,"excerpt":"This year was all about\u00a0stories of rebellion and quiet defiance, but told with a haunting, tension-soaked mood. I craved books where the tension wasn't just in the plot, but in the very air the characters breathed.","rel":"","context":"In &quot;Unusual Eulogies&quot;","block_context":{"text":"Unusual Eulogies","link":"https:\/\/mbnovels.com\/en\/category\/unusual-eulogies\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":353,"url":"https:\/\/mbnovels.com\/en\/2024\/12\/31\/unusual-eulogies-2024\/","url_meta":{"origin":616,"position":2},"title":"Unusual Eulogies | 2024","author":"Montse \"M.B\" Benavides","date":"December 31, 2024","format":false,"excerpt":"This year\u2019s reading has been a deep dive into\u00a0the anatomy of obsession and of the self. I've been drawn to stories that dissect desperate love, fractured identities, and the haunting legacies we inherit or violently cast off. It's been a journey through raw nerves and beautiful ruins, exploring what happens\u2026","rel":"","context":"In &quot;Unusual Eulogies&quot;","block_context":{"text":"Unusual Eulogies","link":"https:\/\/mbnovels.com\/en\/category\/unusual-eulogies\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":407,"url":"https:\/\/mbnovels.com\/en\/2023\/12\/31\/unusual-eulogies-2023\/","url_meta":{"origin":616,"position":3},"title":"Unusual Eulogies | 2023","author":"Montse \"M.B\" Benavides","date":"December 31, 2023","format":false,"excerpt":"My reading in 2023 was defined by\u00a0haunting intimacy and fractured perspectives. I was drawn to voices that spoke from the margins of memory, of society, of reality itself, and to stories that explored the raw, complex anatomy of trauma, love, and identity. It was a year of feeling viscerally, in\u2026","rel":"","context":"In &quot;Unusual Eulogies&quot;","block_context":{"text":"Unusual Eulogies","link":"https:\/\/mbnovels.com\/en\/category\/unusual-eulogies\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2508,"url":"https:\/\/mbnovels.com\/en\/2026\/07\/09\/please-stop-editing-the-life-out-of-your-story\/","url_meta":{"origin":616,"position":4},"title":"Please stop editing the life out of your story","author":"Montse \"M.B\" Benavides","date":"July 9, 2026","format":false,"excerpt":"The essence of powerful writing lies in emotional resonance, not just technical perfection; stories should have a heartbeat beyond flawless grammar.","rel":"","context":"In &quot;Behind the Drafts&quot;","block_context":{"text":"Behind the Drafts","link":"https:\/\/mbnovels.com\/en\/category\/the-writing-life\/behind-the-drafts\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2628,"url":"https:\/\/mbnovels.com\/en\/2026\/09\/08\/lets-get-naughty-a-guide-to-leaving-a-review\/","url_meta":{"origin":616,"position":5},"title":"Let&#8217;s get naughty: a guide to leaving a review","author":"Montse \"M.B\" Benavides","date":"September 8, 2026","format":false,"excerpt":"Humorously urging readers to write detailed, heartfelt reviews, emphasizing their importance for both authors and future readers.","rel":"","context":"In &quot;Creative Pulse&quot;","block_context":{"text":"Creative Pulse","link":"https:\/\/mbnovels.com\/en\/category\/creative-pulse\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mbnovels.com\/en\/wp-json\/wp\/v2\/posts\/616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mbnovels.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mbnovels.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mbnovels.com\/en\/wp-json\/wp\/v2\/users\/134972872"}],"replies":[{"embeddable":true,"href":"https:\/\/mbnovels.com\/en\/wp-json\/wp\/v2\/comments?post=616"}],"version-history":[{"count":32,"href":"https:\/\/mbnovels.com\/en\/wp-json\/wp\/v2\/posts\/616\/revisions"}],"predecessor-version":[{"id":1816,"href":"https:\/\/mbnovels.com\/en\/wp-json\/wp\/v2\/posts\/616\/revisions\/1816"}],"wp:attachment":[{"href":"https:\/\/mbnovels.com\/en\/wp-json\/wp\/v2\/media?parent=616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mbnovels.com\/en\/wp-json\/wp\/v2\/categories?post=616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mbnovels.com\/en\/wp-json\/wp\/v2\/tags?post=616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}